刘旭光

刘旭光 艺术家 1958年生于北京 清华大学美术学博士 北京电影学院教授。  

刘旭光对世界美术发展的脉络和新媒体艺术有深入的研究。早年留日并接触物派艺术，研究东方思想提出质觉美术理论概念，在当代艺术体系中探索形质与介质的语言在视觉中的可能性；从视觉的物理性媒介到数字媒介表达方式进行了深入持久的探索。并以质觉理论为基础指导创作；1991年至1996年完成「天地」「大洐」「动静」系列绘画作品，1997年创作「天眼」绘画装置作品，1998年至2001年创作「悬空界」绘画装置作品；2004年至2015年创作「痕迹」「衍场」系列绘画作品。以数字媒材做介质2004年创作影像作品「墨滴」，2010年创作「我」数字交互影像作品，2011创作影像作品「墨核」，2013年创作介质电影「没片」等。 

刘旭光的艺术创作极丰在形质和介质概念中创作了中创造出自己独特的视觉语言表达方式。在质觉理念指导下是这一领域艺术创作的先行者作品极丰是富有影响力的艺术家。 刘旭光的艺术是在中国的思维秩序中表达时间性、空间性、禅意、道德性、色彩、符号与介质中探索后现代之后的视觉概念，在人的精神内核里挖掘表现质的本体问题，建构他的独特的视觉语言样式，通过质觉的审美概念将视觉艺术延伸帯给我们更多的思考问题的可能性。

策展：以“轨迹与质变”“漂浮与位移”“形质与介质”“纸的语言规则”“形质相”“本真叙事”等为主题，先后在北京、东京、科摩罗、芝加哥、明尼阿波利斯、甘肃等地策划策划国际新媒体艺术三年展，中国新媒体实验电影研讨会等学术活动。

著作：《论质觉》山东美术出版社；《新媒体艺术概论》河北美术出版社等。

Liu Xuguang Artist, born in Beijing in 1958, PhD in Fine Arts at Tsinghua University, Professor at Beijing Film Academy.

Liu Xuguang has much research experience in the recent developments of global fine arts and new media art. He studied in Japan and got to know the art of Mono-ha. He has done research in Eastern thoughts and created the theory of Essence theory in fine art, whereby he explored the issue of formal essence and medium in contemporary art. His long-time visual exploration are expressed both in material medium and digital form. Based on his theory of Essence, he painted the series "Heaven and Earth" in 1991, created the painting installation works "Heaven's eye" and "Suspension" in 1997 and 2001 respectively, and painted a series of paintings titled "Marks" from 2004 to 2013. As for the works in digital form, he made the video "Ink" in 2004, the interactive digital work "I" in 2010, the photograph "The River of Ink" in 2011, and the medium film "mò Image" in 2013. Liu's artistic production has been very fruitful. Utilizing the concepts of Essence and Medium, Liu creates his own abstract way of expression that is uniquely Chinese and informational. Liu is the creator of the concept of Essence, a predecessor of artistic production guided under the concept of Essence, as well as an influential and famous artist.

Actualized exhibitions under the theme of “Trace & Qualitative Leap” “The Space of Medium” “The Grammar of Paper” and “Shaping the Qualitative Phase” as curator in Beijing, Tokyo, Comoros, Chicago, Minneapolis, Gansu.

Books: The Consciousness of Substance published by Shandong Fine Arts Publishing House; Introduction to New media Art by Hebei Fine Arts Publishing House.